The Death Beats return to form with their first release of 2017, sporting a hard-hitting selection of Drum & Bass, Dubstep, Future Bass, House and Synthwave, taking the listener on a diverse journey through genres and tempos.
The chaos unfolds as title track; Perfect Blue kick-starts with a lush cocktail of sweeping synth layers and soulful vocals set to a chilled four to the floor beat, before dropping into a hectic array of super saw melodies and heavy sub bass lines.
Ready For Yah sees the boys lay down their first collaboration with vocalist Sara Cruz, known for her work with artists such as Crystal Clear, Flo-Rida and Marco Carpentieri. Heavy bass-lines, catchy synth leads and powerful vocals come together to create a Drum & Bass anthem of epic proportions.
Released 3rd July 2017. Available to license for commercial use via Audiosocket.
Grinding super-saws and catchy synth plucks go head to head with growling bass lines and hard hitting drums in The Death Beats latest Dubstep smasher, Waiting. Catchy vocal edits seal the deal and add further chaos & beauty to an already huge soundscape.
Cruise Control sets epic synthesizer tones against punchy 808 beats, deadly sub bass lines and vintage analogue keys. Silky smooth vocal layers and sweeping effects provide the cinematic icing on the cake for this melodic yet unsettling Synthtronica outing.
The Death Beats go Interstellar for their latest Cinematic offering in the shape of Earthbound. Ominous choirs and unsettling movie trailer style effects flow with a sense of imminent danger before dropping into a tense array of huge drums, sweeping strings and growling synths.
Released 20th June 2016. Available to license for commercial use via Audiosocket.
Out of Place fuses epic super saws, beautiful synth layers and growling bass lines set to punchy Dubstep beats to create a hard hitting yet uplifting dance-floor anthem. Scottish singer and songwriter Holly Drummond provides catchy and soulful vocal layers, elevating the track to new levels.
In their ongoing quest for sonic diversity The Death Beats flip the switch for Cold Front and Gunslinger laying down a mixture of epic synth melodies, sweeping cinematic strings and hard hitting movie trailer effects alongside gritty Drumstep and Dubstep beats.
Released 23rd May 2016. Available to license for commercial use via Audiosocket.
The Death Beats are back with another 808 fuelled Trapstep smasher, fusing growling bass lines, anthemic synth hooks and sweeping synth pads, set to a frenzied layer of cinematic tension in the form of Black Sails.
Accompany the title track is a brand new re-work of the boys classic Electronic Hip Hop smasher Bad Man as well as a new Dubstep mix of their contribution to the soundtrack of the movie Tracers, featuring vocals from Rock n Roll veteran, Phil Saatchi.
Released 14th December 2015. Available to license for commercial use via Audiosocket.
The Motionless EP represents a new direction for the Death Beats, fusing vintage outboard synthesizers alongside the cream of today’s music technology, resulting in a vivid sound-scape of beautiful synth layers and modern day beats.
Setting aside their trade mark sounds, the boys swap growls and womps for a fat selection of catchy analogue leads, funky synth plucks and sweeping string layers set to thunderous Moog style bass lines.
With support from DJs including Ann D (BCR Radio 3), Brewster B (Kiss FM Melbourne), Lady Waks, Marco Carpentieri, Mat the Alien and Retchid.
Released 19th October 2015. Available to license for commercial use via Audiosocket.